Included in Pink Floyd’s rock opera, The Wall, “Another Brick in the Wall (Part 2)” spawned a single that became Pink Floyd’s only number one hit in the US, UK and other countries. Subtitled “Education,” it’s a protest song about the strict schooling in the UK, particularly as it relates to that in boarding schools. Part 2, written by bassist Roger Waters, as well as all the other “parts” of the song, contains a school choir, a searing and poignant guitar solo by David Gilmour and a disco drum beat, of all things. Members of Pink Floyd resisted making this a single, but we’ll all lucky they changed their minds.
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Sound Opinions, the World’s only rock and roll talk show; now to go. Hosted by Jim DeRogatis of the Vocalo.org and Greg Kot of the Chicago Tribune. Each week Jim and Greg bring you the latest music news and reviews. Plus tune in to hear exclusive…
Over the years my taste in music has been redefined many times. It all came to a rest at Queen. The pure musicianship of every single member of this amazing band shows that they are the greatest band ever. Each member is credited for writing at least one #1 hit, even the bass and drummer. That is no surprise when you look at each one though. John Deacon has some of the most iconic bass lines ever. Roger Taylor with his intricate drum fills and an incredible voice which could have (and did) front a band of his own.
In the mid-1980s, the format’s widespread proliferation came on the heels of Jacobs Media’s (Fred Jacobs) success at WCXR, in Washington, D.C., and Edinborough Rand’s (Gary Guthrie) success at WZLX in Boston. Between Guthrie and Jacobs, they converted more than 40 major market radio stations to their individual brand of classic rock over the next several years.
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The song which put Rush into the UK singles might have been a loveletter to great radio but it was also a prophetic warning about the commercialism creeping into the medium. While the song is the band’s biggest single, it’s no less complex or arresting than the rest of their work – musically prodigious and melodically profound, it’s everything that rock should be.
What makes them great? Their shows and their longevity. While other older bands understandably slow down over the years, this group keeps pumping out anthem like music. Catchy rock music that could have been hits in the Rock n Roll heyday of the 80’s and 90’s. With that said, in the 21st Century alone they’ve won a Grammy and the Black Ice Tour was the 4th largest tour in HISTORY. Black Ice sold more albums world wide besides Cold Play. In 2007 AC/DC sold 3 million albums yet hadn’t produced new songs in 8 YEARS at that point. If you don’t think these aging rockers are still relavent then please check out the Live @ Rivee Plate. Their stage presence is as good as ever. Johnson is in terrific shape and they play to the frenzied crowd like never before. And, This is the AC/DC that could be retired and people would understand. Now: they have Rock Or Bust. Tickets sold so fast for European tour that it broke Guinness world records for most sales in least time. 1.75 million tickets in less …more
Introducing the world to hardcore southern rock, Lynyrd Skynyrd was at the top of the mountain until a plane crash in 1977 prominently influenced the band to break up. Ten years later the band reformed with the former lead singer, Ronnie Van Zant’s brothers taking over the vocal duties. –
40 The Stooges The Stooges, also known as Iggy and the Stooges, are an American proto-punk band from Ann Arbor, Michigan, first active from 1967 to 1974, and later reformed in 2003. Although they sold few records in their original incarnation, and often performed for indifferent or hostile audiences, the Stooges are …read more.
30 Fleetwood Mac Fleetwood Mac are a British-American rock band formed in July 1967, in London. The band have sold more than 100 million records worldwide, making them one of the best-selling bands of all time.
Originally recorded by the Arrows in 1975, “I Love Rock ‘n’ Roll” was catapulted to the level of rock anthem by Joan Jett and the Blackhearts the following decade. Eventually climbing to number one for seven weeks on the US Billboard Hot 100, The Blackheart’s version of the tune has received many accolades, one of which a ranking of #56 on Billboard’s list of the 100 Greatest Songs of All Time; also, in 2016, it was inducted into the Grammy’s Hall of Fame.
What are the best old rock bands? You decide! This list of good classic rock bands is here for you so you can vote on who should be the greatest classic rock band of all time. Don’t think one of the bands here should even be in the running for top classic rock band? Vote them down! And if you don’t see your favorite classic rock band on the list, make sure to add them to the list so other people can discover classic rock artists who may mean something to them.
Freddie Mercury- Iconic vocals, flamboyant stage persona, lively personality. Brian May- Underrated guitarist, beautiful voice, very wise. Roger Taylor- Amazing drummer, extraordinary falsettos, very humorous. John Deacon- Incredible bass lines, underrated songwriter, is the glue that holds everyone together. Do the math and combine it all together… what do you get- BAM! One of the greatest classic rock bands of all time. There music has and always will pass the test of time. To those who say Queen is overrated, please go kiss a goose. I would say Queen is a bit underrated, seeing people humming “We Are The Champions,” clapping along to “We Will Rock You,” heck, even trying to recreate iconic bass lines from “Another One Bites The Dust,” gives me joy. But that joy compresses into dust when they say they have no idea who Queen is. Queen covers nearly all genres. Funk, rockabilly, gospel, HECK, FREDDIE MERCURY SANG OPERA. Queen is the best and will stay that way.
First played by Richard Berry and the Pharaohs, “Louie Louie” is one of the most played rock tunes of all time. In the old days, this was usually the first tune learned by rock guitarists (the chords A, D, Em,D). Often considered a dirty song, though it isn’t – but you know how inventive kids can be – a seemingly endless number of bands have covered this song, often adding a guitar or saxophone solo, but The Kingsmen in 1963 may have produced the most popular version, though the lyrics are barely intelligible, as they often are in rock songs.
There are bands that don’t have a single other band to even come close to them. Led Zeppelin had some of the greatest guitar solos the world has ever seen. Jimmy Page re-defined the way people play the guitar. Robert Plant is the greatest screamer ever. He actually sounds good. John Paul Jones was the fastest bassist trying to keep up with Jimmy when he did a guitar solo. Not many people could do that. And then you’ve got the greatest drummer ever who sat behind a drum kit. His solo in Rock and Roll is one of the greatest I’ve ever heard. And that brings me o my final quote: LED ZEPPELIN RULE!
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The classic rock format evolved from AOR radio stations that were attempting to appeal to an older audience by including familiar songs of the past with current hits. In 1980, AOR radio station M105 in Cleveland began billing itself as “Cleveland’s Classic Rock,” playing a mix of rock music from the mid-1960s to the present. Similarly, WMET called itself “Chicago’s Classic Rock” in 1981. In 1982, radio consultant Lee Abrams developed the “Timeless Rock” format which combined contemporary AOR with rock hits from the 1960s and 1970s.
Beatles-A-Rama!!! The Show! with host Pat Matthews takes you on an incredible journey through the better known Fab 4 classics to their most obscure musical works, along with some great interviews and studio sessions making this show a must for any…
I get it they are not everyone’s cup of tea and people get tired of hearing their names mentioned. But when people mention old music and everyone thinks of The Beatles, doesn’t that say something? Let’s give John, Paul, George and Ringo some credit.
One of seven hit singles from their fabulous album, Hysteria, which sold 25 million copies worldwide, “Pour Some Sugar on Me” became one of the best stripper songs of all time, if nothing else. Also, in case you’re interested, the song reached #2 on VH1’s 100 Greatest Songs of the 1980s in 2006; and the video for the song was rated #1 on MTV’s list of the Top 300 Videos of All Time. It seems safe to point out that the tune is synonymous with Def Leppard’s greatest success as a rock group.
Yes deserves to be on this list because, like Queen, they were totally unique and very talented musically. Hard to believe bands like Motley Crue are above them. Any decent cover band can play a Motley Crue song as well as the original, but no one even attempts Yes songs because you have to be great musically.
As the story goes, The Beatles movie needed a title, something other than Beatlemania, so the Beatles suggested a comment made by Ringo might work. Ringo had said they’ve worked so hard night and day that it’s been a hard . . . day’s night, kind of a malapropism. Eureka! Then, once the producers had a title for the movie, they also needed a theme song. So John Lennon and Paul McCartney wrote it and the Beatles recorded it the next day. In July 1964, “A Hard Day’s Night,” the single and album, soared to #1 on the charts in both the US and UK, the first time a musical group had achieved such a feat.
16 Van Halen Van Halen is an American hard rock band formed in Pasadena, California, in 1972. From 1974 until 1985, the band consisted of guitarist Eddie Van Halen, vocalist David Lee Roth, drummer Alex Van Halen, and bassist Michael Anthony.
Don Henley of the Eagles wanted to write a song about life in Los Angeles, California, particularly its emphasis on fame, hedonism and money. Henley wrote, “It’s basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about.” Henley wanted the song, decidedly somber, and played in harmonic minor, seem like an episode of the Twilight Zone, which it certainly does. Apparently the song worked on many levels, because it won the Grammy Award for Record of the Year in 1978. And the dueling guitars coda was rated the greatest guitar solo by Guitarist magazine in 1998.
Should be #1. Not only Ozzy but also the Heaven and Hell days with Dio and even the Martin era wasn’t bad. Nobody has this longevity and still making great music. What other band here put out an album as recently as Devil You Know that is near that quality?
The variety, however, is staggering. There are some defined by songs, and others by the way other artists rushed to sound just like them. A few figures trace through multiple entries, showing up alone and in larger groups. Some remained steadfast in their musical convictions, playing with a remarkable consistency; others seemed to change directions as often as they switched venues on a cross-crossing world tour. Then there are those who appear like shooting stars, burning brightly but gone far too soon.
Charlie Starr’s track-by-track guide to @blackberrysmoke’s Find A Light, out today! https://www.loudersound.com/features/charlie-starrs-track-by-track-guide-to-blackberry-smokes-find-a-light …pic.twitter.com/S4lBvArr5G
Brad Delp is right there with Freddie Mercury in his vocal abilities, and their sound is perfect with the rest of everything else. I have more than a feeling that Boston is ranked too low on this list.
This list tries to include some of the greatest rock tunes ever, all of which are classics; that is, songs released before the year 2000. Also keep in mind it only includes mainstream rock and roll (and we all know what that is, right?) whether soft or hard rock, but certainly not pop, R&B, soul, funk, blues, hip-hop, disco, jazz, country, bluegrass or classical – just good ol’ rock and roll, period, okay?
The Greatest Musical Artists of All Time Must-Hear New Male Artists Must-Hear New Female Artists Modern Voices You Wish You Had Songwriters We Would Bring Back from the Dead The Absolute Worst Bands Ever Greatest Artists Without Grammys History’s Worst Grammy Winners
The mindset underlying classic rock was regarded by Christgau as politically regressive; he said the music eschewed ironic sensibilities in favor of unintellectual, conventional aesthetics rooted in Victorian era Romanticism, while downplaying the more radical aspects of 1960s counterculture, such as race, African-American music, politics, and pop in the art sense. “Though classic rock draws its inspiration and most of its heroes from the ’60s, it is, of course, a construction of the ’70s”, he wrote in 1991 for Details magazine. “It was invented by prepunk/predisco radio programmers who knew that before they could totally commodify ’60s culture they’d have to rework it—that is, selectively distort it till it threatened no one … In the official rock pantheon the Doors and Led Zeppelin are Great Artists while Chuck Berry and Little Richard are Primitive Forefathers and James Brown and Sly Stone are Something Else.” Regarding the development of classic rock, Christgau points to the compromised socioeconomic security and diminishing collective consciousness of a new generation of listeners in the 1970s and on, who succeeded rock’s early years during baby-boomer economic prosperity in the United States. “Not for nothing did classic rock crown the Doors’ mystagogic middlebrow escapism and Led Zep’s chest-thumping megalomaniac grandeur. Rhetorical self-aggrandizement that made no demands on everyday life was exactly what the times called for.” Shuker attributed the rise of classic-rock radio in part to “the consumer power of the aging post-war ‘baby boomers’ and the appeal of this group to radio advertisers”. In his opinion, classic rock also produced a rock music ideology and discussion of the music that was “heavily gendered”, celebrating “a male homosocial paradigm of musicianship” that “continued to dominate subsequent discourse, not just around rock music, but of popular music more generally.”
Graveyard return with video for Please Don’t – taken from their forthcoming album Peace: https://www.loudersound.com/news/graveyard-return-with-video-for-new-song-please-dont …pic.twitter.com/mcEFn3JZbV
Queen is no question the best band ever. They have the greatest singer ever, Freddie Mercury, also a amazing piano player. For example, Bohemian Rhapsody, Killer Queen, Seven Seas of Rhye, and The March of the Black Queen. One of the best guitarists ever. For example, Bohemian Rhapsody, Killer Queen, The Prophet Song, Hammer To Fall. One of the best bassists. For example, Another One Bites The Dust, Killer Queen. Queen is my favorite band ever! I am in a queen cover band! – CalebMusic
Performed by The Doors, a quartet from Los Angeles, “Light My Fire” has a jazzy verse and impressive keyboard riffs at the beginning and end of this tune, which was played throughout that wonderful, peace-and-love summer of 1967. In July of that year, “Light My Fire” ascended to #1 for three weeks on the Billboard Hot 100. Interestingly, when playing the song live, The Doors performed a much longer version of the song with solos for guitar and keyboard. Of course, frontman/singer/poet Jim Morrison, aka the Lizard King, always put on a show with his powerful voice and offbeat stage antics.
Kick back to some magic mix Jones, in his beer and cigarette haze, concocted to feed our Sinatra and 80s technopop…jones. And we turn it waayyy up during the mics, just to see the Drone fume at the banter between Glen and the Shakespearean wise…
Give me a break. Why is The Who anywhere close to Rush? Same with Heart, Journey, and the Beatles, I just don’t understand how any band especially the ones I’ve listed, could top off Rush. The only band that comes anywhere close to Rush is Van Halen, but they’re half as good at best. Rush has by far the most variety, The most music, and I honestly haven’t heard a rush song that I don’t like. RUSH FOR LIFE!